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UMKC Eagerly Enters Second Century


             During the 2005-2006 school year, the Conservatory of Music and Dance at the University of Missouri-Kansas City celebrated its 100th anniversary. Now that the school has moved into its second century of educating students, the world of music and dance may just be getting ready to see Kansas City as a major player.

UMKC ConservatoryInterim Dean James Mobberley has been on the faculty for 25 years, teaching music composition. “As I look back on 25 years, the growth has been phenomenal. There is joy to be part of something on an upward track. I would guess that about a dozen programs from dance to many of the music programs are now competing at the top of their fields nationally and worldwide. We have moved into the ranks of the top 20 schools.”

            Mobberley says his area, composition, has four full-time teachers, including a Guggenheim Fellow. The piano discipline includes a Van Cliburn winner. “We are moving toward national prominence. We are competing at the highest possible levels, especially at the graduate level. Our peer schools now include Yale.”

            Enrollment has increased by 150 students in about three years. “We are studying to see if this enrollment level is right. We had 475 in 2003, up to 625 in 2006. We are all looking forward to serving a growing population by providing curriculum experiences. It is about shoring up the core efforts and broadening the school’s impact on the campus.”

            Continuing Education Programs Manager Mara Gibson says the Conservatory's Community Music and Dance Academy has the mission of bridging the national reputation and excellence of the UMKC Conservatory of Music and Dance with the local musical needs of the Kansas City community.  

            “We are a pre-collegiate, non-credit preparatory school for children and adults. The Academy currently offers private and group instruction to 550 area music and dance students; coordinates camps and festivals for the Kansas City area and provides professional development through workshops and in-service to area educators,” she says. “With a faculty of 40, instructors are professional educators, musicians and dancers. Many have advanced degrees, or are current graduate students or professors at the University of Missouri-Kansas City Conservatory of Music and Dance.”

            Programs include private applied lessons in all instruments, voice and composition, theory, sight singing and music appreciation classes, dance classes, choral groups, chamber music coaching, Heartland Chamber Music Academy, Jazz Festival, Midwest Honor Band, Duff Timpani Master Class, UMKC Jazz Camp, Glenda Brown Choreography Project, Wind Band Teaching Symposium, KC Cello Clinic, Composers in the Schools, Musical Bridges and continuing education classes for music teachers.

            “Recently, we have also begun a fruitful partnership with the Nelson Atkins Museum.  Between these new partnerships, and networking with the area schools while continuing our interactions with the Kansas City Art Institute through ArtSounds, our aim to be the preeminent preparatory school in the region can be a reality,” Gibson says.  “The Community Music and Dance Academy offers programs appealing to infants to seniors.  In 2007, we had 1600 students come through our various programs.”

            As for the next 100 years, a value and appreciation of the arts will prevail. “It permeates all that we do, no matter what society we live in. As an example, music is integral into the human experience. There are cycles for supporting the arts and that has always been. No matter what, the artistic experience has to be there,” Mobberley says.